![]() Further reforms in the early 2000s facilitated the development of modern theater chains and opened the doors for foreign investment. A year later, Beijing allowed private Chinese firms to start investing in the industry. Sagging attendance spurred Beijing to introduce a quota system in 1994, which permitted 10 foreign movies to be shown on Chinese screens each year. Sources: National Association of Theatre Owners, Sohu, Ĭhange came in the early 1990s when the domestic industry experienced widescale financial trouble. ![]() While the industry underwent some initial reforms during the 1980s, those efforts primarily focused on distribution and exhibition management. At the time, most foreign pictures - especially those from the US and Western Europe - were banned. Often viewed as a tool for promoting its political agenda, the film industry was nationalized shortly after 1949. Historically, Beijing has tightly controlled the industry. That number jumped nearly tenfold to 902 by 2018 – more than the 758 features released in North America, but less than the 1,192 films released in Japan. Over the last two decades, the number of films in China has also skyrocketed.
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